Every morning, I cross the Tappan Zee Bridge on my way to
work. At certain times of year, my
crossing coincides with a beautiful sunrise I see through the latticework of
the bridge’s superstructure. At other
times, I witness the colorful sunset over the western Palisades as I return home. Recently, a veritable flotilla of barges has
assembled at positions both north and south of the bridge, each laden with
steel pilings and support beams for a new TZB.
The current bridge opened to traffic in 1955, and a 2009 report states
that it was not constructed with a plan “conducive to long-term durability.” As a result, it has been under a constant
state of repair for the last 20 years – thus, the justification for a new
bridge. The most remarkable aspect of
the assembly of barges is the flock of at least a dozen towering cranes
floating alongside the spine of the bridge.
Each day, they position foundational pilings and move rust stained
steel from barge to emerging bridge. From
a distance, the cranes are a delicate anachronism of an earlier era, of what I
imagine construction looking like when Robert Moses reshaped New York. The lattice of each crane's armature gives it an almost
origami likeness to its feathered namesake, each crosspiece a metaphorical
crease in its paper counterpart. The
only modern facet of the archaic technology I can see is an orange-checkered
flag and an anemometer that screams in the bitter wind that rages on blustery
winter days. Today, construction workers were bundled in
insulation, and helmeted, and tethered to the edifice as wind swept waves slapped
the sides of each barge and sent an icy spray across the deck. On a day-to-day basis, progress is
imperceptible. The project worms its way
across the river at a snail’s pace, closing the gap between Rockland and
Westchester. Yet, the developing project is truly a marvel,
and by the end of the year, it will become even more so with the arrival of “The
Left Coast Lifter,” one of the world’s largest cranes capable of lifting more
than 12 times the weight of the Statue of Liberty. I never tire viewing this evolving spectacle
- my semi-diurnal crossing is the highlight of an otherwise tedious commute,
something I can look forward to for the next three years.

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