On my way to work today, I passed a pickup truck with a
memorial inscribed on its rear window. It was a Ford, and while I did not notice the
model, it was the type of truck you would see at a construction site with a big
steel tool box mounted in the back. The
decal was white and written in elegant script that read,
In Loving Memory
Joseph P. Meena
1954 – 2012
Perhaps Joseph was the driver’s father, or maybe his
brother. Whoever he was, it was
important for the driver to announce to the world that Joseph is no longer with
us. I first noticed memorial decals like
this after 9/11 that remembered officers from the NYPD or PAPD or firefighters
from the FDNY who perished in the twin towers.
I have seen memorial decals in Spanish, usually with the wording
surrounding a prominent white cross. I
have never seen them on the same window as a college decal.
Such memorials are an odd mix of the elegant and the mundane, of the eternal and the impermanent. When I think of a memorial,
I picture a permanent fixture located in a peaceful park or quiet glen - a
place conducive to reflection. On the
other hand, these memorial decals are literally stuck in traffic in the middle of the
road amid the noise and bustle of everyday commuting - not exactly the dignified
place I would set aside to remember those dear to me. But these memorial decals do make an argument
in the same way that an advertisement informs us of of an event. In some sense, they also have an element of graffiti. They make a statement that Kilgore was here, where Kilgore is really a brother or a father whose existence the driver wants us to acknowledge. For
whatever reason the driver chose to place a memorial on his pickup truck, his
action did get me to think. I still have
no idea who Joseph P. Meena was, but I now understand that he was important to
someone. And maybe that is the
point.
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